So there’s this Twitter Fiction Festival thing happening over in the US (so to speak) this week, where a bunch of authors are mucking about with the form in various ways, all under the aegis of #TwitterFiction.
It looks like there’s going to be some interesting things happening as part of the festival, though I’m curious to see how anyone following that hashtag will be able to make sense of all of the competing narrative streams, especially the ones that will be coming from multiple accounts. Can you say “narrative overload”, kids?
Not that concerns about chaos will be stopping yours truly from crashing the party – for the next week Aramis Fox will be hashtagging it up like a boss in the hope that such egregious online networking will garner additional audience members for me (and of course an agent and a publishing deal too, yeah?).
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